What is an Auteur? Essay -- essays research papers fc

What is an auteur? Answer this question with detailed reference to one and only(a) film director Alfred HitchcockStudies of the Auteur Theory in film have practically looked toward Alfred Hitchcock as an ideal auteur an artist with a signature style who leaves his receive mark on every work he creates. According to the theory, it does non matter whether or not the director writes his own films, because the film go out reflect the vision and the mind of the director through the choices he makes in his film. In the case of Hitchcocks earliest films when he was still at a lower place the control of his producers, thither is still a distinct stamp upon these images. Hitchcock has tell that he was influenced by the German Expressionists, and admired their ability to discourse ideas in purely optic terms. It is this expression of thought and psychology that Hitchcock achieves end-to-end his films, tear down early on. Even the psychology that is in the films can be particularly a signature of Hitchcock - critics have found throughout his films a fascination with illicit accusation and imprisonment. They are present in even his earliest films. A particular sequence of Hitchcocks 1935 film The 39 Steps bears the mark of Hitchcock through the visual expression of the fear of wrongful accusation and confinement.               In the elasticity before the sequence, we see the crofter asking his married woman what has happened to his coat, as it had his hymnbook in the pocket. She, offscreen, tells him that she gave the coat to Hannay. The crofter angrily walks offscreen toward her, and we hear her terrorize scream - this scream suddenly becomes the sheriffs offscreen laughter, as the next excavation is of the hymnbook with the bullet hole in it. From the beginning of the sequence, Hitchcock transmits the feeling that there is something not quite right about the sheriff. As the scene in the law st ation begins, Hannay has just finished telling the sheriff that he is the one that the papers have been describing as a murderer, but that he is unreserved of the crime. The sheriff laughs along with Hannay and seems to believe him, but as soon as the sheriffs colleagues come in to the room, we learn that the sheriff has been just humoring him and thinks Hannay is a murderer. Hannay is oblige to escape. The entire scene, through the lighting, angles, ... ...and framing, Hitchcock expresses the horror of wrongful imprisonment through visual devices. Hitchcock allows Hannay to escape the snare of the police into the open world, as Hannay finds himself outside in a parade. Hannay, now free from the confines of the sheriffs office and travel amidst the people, is now vindicated, living momentarily in the comfort of anonymity. But Hitchcock re-plays his fears, so of course Hannay will soon be back in the cover spotlight in the next sequence. Yet it is more than the fear of police and confinement that is a mark of the Hitchcock film - it is the visual expression of these mental states that are examples of the artistry of Hitchcock as an auteur. And as seen through the first shot of the chosen sequence in which the sheriffs laugh is merged with the crofters wifes screams, Hitchcock went beyond the German Expressionists that he admired, manipulating sound to express ideas in their purest, most subtle forms.     BibliographyThe 39 steps by recognise GlancyHitchcock on hitchcock by Sidney GottliebThe Alfred Hitchcock story by Ken Mogg