The Day of the Locust by Nathanael West Essay -- Day Locust nathanael

The daylight of the Locust by Nathanael West In The daytime of the Locust, unaccompanied Hackett undergoes an congenital development relative to his migration. tod, an architect living in Connecticut, moves out to Hollywood to build scenery for movies. Yet, once he moves, tod is transformed into a lethargic, non-artist who can no longer create his own drawings on paper. His purlieu drive these changes, as all characters in the novel are portrayed in a similar fashion. tod becomes one of the grotesque as well, laughing at the disturbing rather than the humorous. These new features signal Tods incapacity to return to his old self, as he incessantly suffers from his migration. This comes full circle at the end of the novel when Tod is light-emitting diode away from the mob scene at the Hollywood premiereHe was motor railroad carried through the exit to the back street and lifted into a law car. The siren began to scream and at first he thought he was making the noise himself. He felt his lips with his hands. They were clamped tight. He knew then it was the siren. For both(prenominal) reason this made him laugh and he began to imitate the siren as loud as he could. (185)This excerpt depicts Tods migration in full from an active artist to a grotesque and lazy Californian who will never date back from his experience. Tods movement into the legal philosophy car parallels his transformation to laziness in Los Angeles. When the National Films talent outlook carries him off to Hollywood to learn set and costume design, Tod disregards the funny fact that he is hired by telegram rather than in person (60). This provides a clue early in the novel into the inactive nature of Los Angeles that will eventually cause his own laziness. Even afterwards only three months of living in Hollywood, ... ... artistic vision and the disorganisation relating to the Hollywood mob. Ultimately, Tod can no longer recuperate from the inexorable crowd and the cacophonous sound of the siren. Instead, he loses his artist status by conforming to the status quo, more specifically, becoming like all the sight he wants to paint. In The solar day of the Locust, Tod Hackett evolves from an innovative architect to a lethargic imitator. Tod likens the other populate in his painting of the expiry of Los Angeles to a grotesque, jarring mob. The final scene in the law car perfectly captures this transformation as the natural law carry a laughing, siren-screaming Tod off away from the Hollywood premiere. Unfortunately, Tod can never heal as his artistic abilities have been destroyed through migration. His migration is thus perfect(a) and final he has truly become a hopeless Californian. The Day of the Locust by Nathanael West Essay -- Day Locust nathanael The Day of the Locust by Nathanael West In The Day of the Locust, Tod Hackett undergoes an innate development relative to his migration. Tod, an architect living in Connecticut, m oves out to Hollywood to build scenery for movies. Yet, once he moves, Tod is transformed into a lethargic, non-artist who can no longer create his own drawings on paper. His surroundings drive these changes, as all characters in the novel are render in a similar fashion. Tod becomes one of the grotesque as well, laughing at the disturbing rather than the humorous. These new features signal Tods incapacity to return to his old self, as he ever suffers from his migration. This comes full circle at the end of the novel when Tod is guide away from the mob scene at the Hollywood premiereHe was carried through the exit to the back street and lifted into a police car. The siren began to scream and at first he thought he was making the noise himself. He felt his lips with his hands. They were clamped tight. He knew then it was the siren. For just about reason this made him laugh and he began to imitate the siren as loud as he could. (185)This excerpt depicts Tods migration in full from an active artist to a grotesque and lazy Californian who will never recover from his experience. Tods movement into the police car parallels his transformation to laziness in Los Angeles. When the National Films talent detective carries him off to Hollywood to learn set and costume design, Tod disregards the strange fact that he is hired by telegram rather than in person (60). This provides a clue early in the novel into the indolent nature of Los Angeles that will eventually cause his own laziness. Even after only three months of living in Hollywood, ... ... artistic vision and the disarrangement relating to the Hollywood mob. Ultimately, Tod can no longer recuperate from the savage crowd and the cacophonous sound of the siren. Instead, he loses his artist status by conforming to the status quo, more specifically, becoming like all the people he wants to paint. In The Day of the Locust, Tod Hackett evolves from an innovative architect to a lethargic imitator. Tod l ikens the other people in his painting of the terminal of Los Angeles to a grotesque, jarring mob. The final scene in the police car perfectly captures this transformation as the police carry a laughing, siren-screaming Tod off away from the Hollywood premiere. Unfortunately, Tod can never recover as his artistic abilities have been destroyed through migration. His migration is thus do it and final he has truly become a hopeless Californian.